Kookoo is honored to present you with the 25th sale - on the eve of Valentine's Day
We have curated for you a variety of special works for investment and endless beauty
Opportunity to purchase a work by the young and excellent artist Katya Lifshin - we emptied her studio of all the small works and the prices are tempting
Breathtaking quality collages by Naomi Shalev - the most special and interesting collage artist in Israel
Excellent works by the painter Jonathan Becker
*** 3 original works by international artist Julie Filipenko ***
We will introduce you to the photographer Maayan Sabag, a total of 21 years old and has already caught our eye,
The embroidery works of Sveta Shelest will bring us a happy smile,
Graffiti artist Kot-Art in the most huge work he has created (and not on a wall)
We brought from abroad: Lucy Sparrow's felt puppets (London)
And more good and cool works just like Kookoo loves
We will make deliveries with a courier for only NIS 39
Please text each request 0558859447 (Lisa)
Enjoy and good luck
(As always - prices include VAT and no extra VAT)
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LOT 42:
Gali Yudilevich
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Start price:
$
260
Estimated price :
$360 - $400
Buyer's Premium: 15%
VAT: 17%
On commission only
Users from foreign countries may be exempted from tax payments, according to the relevant tax regulations
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''The depreciation of block 7047'' 2019
Address of structure is: Maor einaim 2, Jaffa
Ink on paper
30/20 cm
Signed
My work is intertwined with the landscape around me. For most of my adult life that means an urban concrete environment.
Uprooting is a constant part of my life and my philosophy is to become part of, but not assimilate. As such, my creative process is saturated with wherever it is that I live at that moment, but from a questioning and critical point of view.
The selected pieces are part of an ongoing project, exploring the streets of Jaffa which are in the midst of a gentrification process. Each piece was created by observing structures for hours. The sketches and paintings brought to life homes and drew me in. I found myself excavating the layers of history from behind closed doors or scaffolding. Piecing together pre-Nakba stories of Palestinian homes from fragments of information which cease abruptly in 1948.
